[Deathwatch] Sarah Caldwell, 'First lady of opera', 82

[Deathwatch Central]

'First lady of opera' dead
Sarah Caldwell headed Opera Co. of Boston for 30-plus years

Friday, March 24, 2006; Posted: 3:10 p.m. EST (20:10 GMT)

http://www.cnn.com/2006/SHOWBIZ/Music/03/24/obit.caldwell.ap/index.html


PORTLAND, Maine (AP) -- Sarah Caldwell, hailed as the first lady of
opera for her adventurous productions as longtime director of the Opera
Company of Boston, died of heart failure. She was 82.

Caldwell died Thursday at Maine Medical Center, according to Jim
Morgan, her longtime friend and colleague and the former manager of the
Opera Company of Boston.

In more than 30 years as founder-director of the Boston company, she
staged and conducted some 100 operas, ranging from baroque to
avant-garde.

"Opera is everything rolled into one -- music, theater, the dance,
color and voices and theatrical illusions," she told Life magazine in
1965. "Once in a while, when everything is just right, there is a
moment of magic. People can live on moments of magic."

In 1975, she became the first female conductor at New York's
Metropolitan Opera. In a cover story, Time magazine hailed her as "the
best opera director in the United States."

"Working day and night as her own conductor, administrative boss, stage
director, talent hunter, principal researcher and fund raiser, she has
become a symbol of the vigorous growth of opera in dozens of cities
around the U.S.," Time wrote. "She is also one of the great impresarios
in all the American performing arts."

She was extremely hardworking -- sometimes rehearsing round the clock
-- and often eccentric. Profiles rarely failed to mention her nearly
300-pound heft, her tendency to lose whatever she was carrying, and the
opera company's checks, which frequently bounced.

She thought the picture a bit distorted -- "the idea of a poor little
match girl. Lonely. Strange. Only interested in going to libraries.
It's just so totally foreign to my nature," she told the New York Daily
News in a 1981 profile. "The stories probably make great reading if you
don't have to live with them. It did turn me into a bit of a cartoon."

But she didn't deny the hard work.

"Of course, I'm a fanatic," she said. "And I'm often teased about
misplacing things. I'm apt to be absent-minded about certain things.
There is just so much a person can think about."

Besides choosing standard works such as "Carmen" and "La Boheme,"
Caldwell made her artistic reputation by producing unusual operas,
world premieres, American premieres and original or variant editions of
familiar works.

She sought out not only major stars, but emerging singers. And she
brought unique theatrical touches to the material -- having Beverly
Sills accompanied by a music box with a mechanical, singing bird in
"Barber of Seville."

"Her best productions were as good as anything anybody's ever seen
anywhere," Boston Globe music critic Richard Dyer once said. "She made
it all exciting while meeting the highest musical standards."

But the company had always operated on thin ice financially; for many
years it lacked a permanent home and staged its productions in theaters
or college auditoriums.

Some of the unusual stagings were "not just trying to be different,"
she once said. "Many of them grew out of desperate circumstances in
which the stage was too small for the sets or such."

Financial problems virtually shut the Boston company around 1990.

"You know the amount of money you should have -- you don't have it. To
stimulate more, you just need to perform," Caldwell said in a 1996
article in Opera News. "What knocked us out finally was not enough
money for both productions and building maintenance. It's not that we
didn't want to do it -- we couldn't."

"The major problem in the arts today is money," she told U.S. News and
World Report in 1979. "Unless we have a remarkable infusion of support,
we will not achieve the kind of life in the arts for artists and their
audiences that we ought to achieve."

She remained active, serving in a variety of posts, including principal
guest conductor of the Ural Philharmonic in Ekaterinburg, Russia, and
the chief organizer of Russian-American cultural exchanges that blended
ballet, chamber music, ballads and poetry from the two countries.

She also tried her hand at theater, directing a New York production of
"Macbeth" in 1981.

In 1999, she was appointed a distinguished professor of music and led
the opera program at the University of Arkansas at Fayetteville, the
town where she grew up as a professor's daughter. She said she would
continue to travel to maintain conducting and recording commitments
around the world.

When she received a National Medal of the Arts from President Clinton
in January 1997, he said, "She's come a long way from Arkansas, and I'm
very proud of her." He praised her enterprise in bringing "difficult
yet beautiful operas to the stage" and developing new audiences for
opera.

She was hospitalized for a month in early 2001, though officials
declined to say why, citing privacy concerns. She went on unpaid leave
from the university and formally retired in 2004.

She had health problems and missed New England, so in 2003 she moved to
Freeport, Maine, where she shared a home with Morgan, he said.

Caldwell was born March 6, 1924, in Maryville, Missouri, moving to
Arkansas when she was about 12. She was a child prodigy in both music
and mathematics and studied violin before turning to opera and
conducting.

In a 1999 interview in the Arkansas Democrat-Gazette, she recalled
studying in Boston in her 20s with choral conductor Boris Goldovsky. He
told her "there was nothing to be afraid of. The fact that I didn't
know anything about opera, I hadn't studied conducting and I knew very
little about the technical aspects of the theater, didn't matter. He
said that everything was learnable."

Her mother had taught choral music and was a choral conductor, "so it
never occurred to me that it was a strange thing for a woman to want to
be a conductor," she said.

There were no immediate survivors, Morgan said. A brother had preceded
her in death.

Many thanks to TheLenGuy for posting this obituary